Turner, Constable o l'amore

Technique: Oil on canvas

MILAN

Imagine Turner watching Constable worriedly applying the final touches of red to his The opening of the Waterloo bridge. Next to the rival's canvas, his Helvoetsluys seems flat and monotonous, so he abandons the room in a hurry and then returns with his palette a few minutes later and plant a splash of flaming red on the gray of the sea. Thus, everything changes and transforms, even the love that can represent a red buoy in a gray landscape that is always the same.