Mon Share Art will attend Scope Miami 2019, the
International Contemporary Art Fair of Miami Beach

Scope Miami returns for its 19th edition and this year Mon Share Art is joining the exhibitors' list! The successful fair of emerging contemporary art from around the world will open its doors for collectors and art enthusiasts from 3rd December until the 8th December on Ocean Drive and 8th Street.

Artworks shown at Scope-Miami Beach

Cage n1

Daniele Accossato

Cage N1 - Ala Nike di Samotracia, 2017

100 x 170 x 35 cm. W. 40 kg

Sculpture out of jesmonite and wood.

Cut-out single wing in large dimensions with single-feather details. In the centre of a wooden structure with the framework of a box.

Box N1

Daniele Accossato

Box N1 - Amore Rapito, 2015

60 x 45 x 80 cm. W. 25 kg

Sculpture out of jesmonite, wood, rope and pluriball.

A classical depiction of the Roman God of Love, in the victimised position of a kidnapped figure. Ropes tied around his ankles, his wrists behind his back and around his wings. With duct tape on the mouth. Space around him in the crate is filled up with bubble wrap.

Box N3

Daniele Accossato

Box N3 - Bronzo di Riace Rapito, 2016

80 x 75 x 90 cm. W. 60 kg

Sculpture out of jesmonite, wood, rope and metallic oxides.

A 'kidnapped' version of the infamous Riace bronze figures. The hands of the figure are tied with rope, resting on his ankles. Under him and behind bubblewrap. The crate is opened towards, missing only that frontal side, exposing the entrapped statue.

The Wave Final

Fabio Giampietro

The Wave Final, 2018

Diptych. 180 x 180 cm each.

Subtractive technique of oil on canvas.

A twisted cityscape, with bent surfaces in black and white. The buildings spiral in two centres of the diptych that are almost seamlessly connected.

Victorian

Fabio Giampietro

Victorian, 2018

170 x 200 cm.

Subtractive technique of oil on canvas.

A distorted black and white city scape, with two watch towers. The fish-eye view has one centre, around which the buildings curve.

The Crane

Fabio Giampietro

The Crane, 2018

120 x 140 cm

Subtractive technique of oil on canvas.

A god-eyes view of a city with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.

The Upward

Fabio Giampietro

The Upward, 2017

120 x 140 cm

Subtractive technique of oil on canvas.

An inception-looking black and white cityscape. The buildings curve around one centre, the only gap on the canvas which has an empty white sky spot.

The Wave

Fabio Giampietro

The Wave, 2019

170 x 100 cm

Subtractive technique of oil on canvas.

A god-eyes view of a city with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.

Scraping the surface Milan

Fabio Giampietro

Scraping the surface Milan, 2019

120 x 170 cm

Subtractive technique of oil on canvas.

A black and white cityscape, including Milanese buildings and the famous monumental Torre Velasca.

Crane

Fabio Giampietro

Crane, 2019

110 x 80 cm

Subtractive technique of oil on canvas.

A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle of the canvas.

The Wave

Fabio Giampietro

Crane II, 2019

170 x 100 cm

Subtractive technique of oil on canvas.

A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.

Crane

Fabio Giampietro

Crane III, 2019

120 x 100 cm

Mixed technique print

A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle of the canvas.

Victorian

Fabio Giampietro

Victorian II, 2019

120 x 100 cm

Mixed technique print.

A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle part of the canvas.

Other artworks currently located in Miami

Uomo Astrologico

Gianluca Biasi

Uomo Astrologico, 2019

2019 / 69 x 197 cm (15 pieces - 8 pieces 22 x 31 cm), 6 pieces 25 x 19 cm, 1 piece 21 x 21 cm).

Laser print on carton ( frame with glass).

A collage of framed prints attached together to form a sculptural illustration of a male body with a star above his head and with text of horoscope signs over the body (in the middle frames and two on the side with the shoulders).

$ 3,880
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Immersione

Mariacristina Cavagnoli

Immersione, 2016

2016 / 71 x 151 cm.

Drawing, charcoal, pencil on paper.

Nude self-portrait of the artist, full body with the hands freely on the side of the body and her legs folded , submerged in a bath tub filled up with water. Black and white. Only the edge of the bathtub is seen.

$ 9,840
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Transfert

Simone Mangione

Transfert, 2015

2015 / 120 x 180 x 6 cm.

Photograph printed on panel. Illuminated.

Elder woman sleeping in her bed, with a TV working in the background showing a soap opera series. There are two portraits of an elderly woman and a man in gilded frames above the TV set and on the right there is a framed newspaper clip and a photograph.

$ 4,880
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Sacronauto

Pietro Mancini

Sacronauto, 2015

2015 / 90 x 120 x 5 cm.

Perforated and backlit aluminum, surface abrasion, photograph on plexiglass.

In aluminium background, a cross shape, with circular top in which there is a circular photograph of a close-up face in black and white, with floral print on top, only eyes and nose of a female are visible.

$ 3,880
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Perfect illusion

Niccolò Franceschini

Perfect illusion, 2017

80 x 80 x 5 cm

3d art - Fine art print on plastic panel

A dream, an illusion, like a nightmare. To hold on to dreams is something difficult, unattainable. A snapshot that tells a life in disorder, where many elements seem random, but necessary for the survival of the dream.

$ 2,330
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Sometimes

Niccolò Franceschini

Sometimes, 2017

75 x 105 x 5 cm

collage - Fine art print on plastic panel

The profile of a woman, nature that becomes form. A figure so complex, so fragile and precious [macrocosm] becomes a primitive figure in its parallel world [microcosm].

$ 2,250
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UnMade

Niccolò Franceschini

Unmade, 2019

75 x 105 x 5 cm

collage - Fine art print on plastic panel

History is saturated with love stories that have marked the rhythms of time. These stories have always elevated the figure of the partner, to become something shapeless, something intangible and mysterious.

$ 2,500
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