3-8 Dicembre 2019,
saremo presenti
allo SCOPE, stand H33
Vieni a trovarci durante la MIAMI ART WEEK
Mon Share Art sarà presente allo Scope Miami 2019, la fiera internazionale d'arte contemporanea a Miami Beach
Scope Miami torna con la sua 19a edizione e quest'anno Mon Share Art si unisce alla lista degli espositori! La fiera di successo dell'arte contemporanea emergente di tutto il mondo aprirà le sue porte ai collezionisti e agli appassionati d'arte dal 3 Dicembre all'8 Dicembre a Ocean Drive e 8th Street.
Opere esposte alla fiera Scope Miami beach
Daniele Accossato
Cage N1 - Ala Nike di Samotracia, 2017
100 x 170 x 35 cm. W. 40 kg. Series of 9,6 available.
Sculpture out of jesmonite and wood.
Cut-out single wing in large dimensions with single-feather details. In the centre of a wooden structure with the framework of a box.
Daniele Accossato
Box N1 - Amore Rapito, 2015
60 x 45 x 80 cm. W. 25 kg. Series of 9,4 available.
Sculpture out of jesmonite, wood, rope and pluriball.
A classical depiction of the Roman God of Love, in the victimised position of a kidnapped figure. Ropes tied around his ankles, his wrists behind his back and around his wings.
Daniele Accossato
Box N3 - Bronzo di Riace Rapito, 2016
80 x 75 x 90 cm. W. 60 kg
Sculpture out of jesmonite, wood, rope and metallic oxides.
A 'kidnapped' version of the infamous Riace bronze figures. The hands of the figure are tied with rope, resting on his ankles. Under him and behind bubblewrap.
Fabio Giampietro
The Wave Final, 2018
Diptych. 180 x 180 cm each.
Subtractive technique of oil on canvas.
A twisted cityscape, with bent surfaces in black and white. The buildings spiral in two centres of the diptych that are almost seamlessly connected.
Fabio Giampietro
Victorian, 2018
170 x 200 cm.
Subtractive technique of oil on canvas.
A distorted black and white city scape, with two watch towers. The fish-eye view has one centre, around which the buildings curve.
Fabio Giampietro
The Crane, 2018
120 x 140 cm
Subtractive technique of oil on canvas.
A god-eyes view of a city with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.
Fabio Giampietro
The Upward, 2017
120 x 140 cm
Subtractive technique of oil on canvas.
An inception-looking black and white cityscape. The buildings curve around one centre, the only gap on the canvas which has an empty white sky spot.
Fabio Giampietro
The Wave, 2019
170 x 100 cm
Subtractive technique of oil on canvas.
A god-eyes view of a city with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.
Fabio Giampietro
Scraping the surface Milan, 2019
120 x 170 cm
Subtractive technique of oil on canvas.
A black and white cityscape, including Milanese buildings and the famous monumental Torre Velasca.
Fabio Giampietro
Crane, 2019
110 x 80 cm
Subtractive technique of oil on canvas.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle of the canvas.
Fabio Giampietro
Crane II, 2019
170 x 100 cm
Subtractive technique of oil on canvas.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.
Fabio Giampietro
Crane III, 2019
120 x 100 cm
Mixed technique print. Series of 9.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle of the canvas.
Fabio Giampietro
Victorian II, 2019
120 x 100 cm
Mixed technique print. Series of 9.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle part of the canvas.
Altre opere d'arte attualmente situate a Miami
Gianluca Biasi
Uomo Astrologico, 2019
69 x 197 cm (15 pieces - 8 pieces 22 x 31 cm), 6 pieces 25 x 19 cm, 1 piece 21 x 21 cm).
Laser print on carton ( frame with glass).
A collage of framed prints attached together to form a sculptural illustration of a male body with a star above his head and with text of horoscope signs over the body (in the middle frames and two on the side with the shoulders).
$ 3,880
Mariacristina Cavagnoli
Immersione, 2016
71 x 151 cm.
Drawing, charcoal, pencil on paper.
Nude self-portrait of the artist, full body with the hands freely on the side of the body and her legs folded , submerged in a bath tub filled up with water. Black and white. Only the edge of the bathtub is seen.
$ 9,840
Simone Mangione
Transfert, 2015
120 x 180 x 6 cm.
Photograph printed on panel. Illuminated.
Elder woman sleeping in her bed, with a TV working in the background showing a soap opera series. There are two portraits of an elderly woman and a man in gilded frames above the TV set and on the right there is a framed newspaper clip and a photograph.
$ 4,880
Pietro Mancini
Sacronauto, 2015
90 x 120 x 5 cm.
Perforated and backlit aluminum, surface abrasion, photograph on plexiglass.
In aluminium background, a cross shape, with circular top in which there is a circular photograph of a close-up face in black and white, with floral print on top, only eyes and nose of a female are visible.
$ 3,880
Niccolò Franceschini
Perfect illusion, 2017
80 x 80 x 5 cm
3d art - Fine art print on plastic panel
A dream, an illusion, like a nightmare. To hold on to dreams is something difficult, unattainable. A snapshot that tells a life in disorder, where many elements seem random, but necessary for the survival of the dream.
$ 2,330
Niccolò Franceschini
Sometimes, 2017
75 x 105 x 5 cm
collage - Fine art print on plastic panel
The profile of a woman, nature that becomes form. A figure so complex, so fragile and precious [macrocosm] becomes a primitive figure in its parallel world [microcosm].
$ 2,250
Niccolò Franceschini
Unmade, 2019
75 x 105 x 5 cm
collage - Fine art print on plastic panel
History is saturated with love stories that have marked the rhythms of time. These stories have always elevated the figure of the partner, to become something shapeless, something intangible and mysterious.
$ 2,500
