Armory week 2020
New York
Volta artshow Metropolitan West
4-8 March 2020, BOOTH 2.25
MonShareArt will attend Armory Week in New York this upcoming from 4-8th March, 2020, by taking part in the boutique Art Show Volta, booth 2.25
MonShareArt will take on the New York Art Scene and introduce artist Fabio Giampietro, Daniele Accossato and more
Artworks shown at Volta in New York
Daniele Accossato
CAGE N1, 2017
100 x 170 x 35 cm. W. 40 kg. Series of 9,6 available.
Sculpture out of jesmonite and wood.
Cut-out single wing in large dimensions with single-feather details. In the centre of a wooden structure with the framework of a box.
Daniele Accossato
BOX N1 - AMORE RAPITO, 2015
60 x 45 x 80 cm. W. 25 kg. Series of 9,4 available.
Sculpture out of jesmonite, wood, rope and pluriball.
A classical depiction of the Roman God of Love, in the victimised position of a kidnapped figure. Ropes tied around his ankles, his wrists behind his back and around his wings.
Daniele Accossato
Testa di Apollo, 2017
35 x 35 x 50 cm. Series of 7,3 available
Sculpture out of jesmonite, wood and metal oxides.
Bust of the God Apollo in a wooden framework, mimicking the shipping packaging that a sculpture of the sort would normally be transported in.
Fabio Giampietro
The Wave Final, 2018
Diptych. 180 x 180 cm each.
Subtractive technique of oil on canvas.
A twisted cityscape, with bent surfaces in black and white. The buildings spiral in two centres of the diptych that are almost seamlessly connected.
Fabio Giampietro
The Upward, 2017
120 x 140 cm
Subtractive technique of oil on canvas.
An inception-looking black and white cityscape. The buildings curve around one centre, the only gap on the canvas which has an empty white sky spot.
Fabio Giampietro
The Wave, 2019
170 x 100 cm
Subtractive technique of oil on canvas.
A god-eyes view of a city with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.
Fabio Giampietro
Scraping the surface Milan, 2019
120 x 170 cm
Subtractive technique of oil on canvas.
A black and white cityscape, including Milanese buildings and the famous monumental Torre Velasca.
Fabio Giampietro
Crane, 2019
110 x 80 cm
Subtractive technique of oil on canvas.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle of the canvas.
Fabio Giampietro
Crane II, 2019
170 x 100 cm
Subtractive technique of oil on canvas.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the lower part of the canvas.
Fabio Giampietro
Crane III, 2019
120 x 100 cm
Mixed technique print. Series of 9.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle of the canvas.
Fabio Giampietro
Victorian II, 2019
120 x 100 cm
Mixed technique print. Series of 9.
A black and white cityscape, with tall skyscrapers defining the perspective lines with one centre in the middle part of the canvas.
Maurizio L'Altrella
L'Incanto di Alice, 2018
60 x 60 cm.
Oil on canvas.
Painting of Alice in Wonderland, with the head of the White Rabbit in blurry motion. There is a figure by her side and indiscernible shapes in the background. Alice in a white dress, contrasting the black and dark background.
Maurizio L'Altrella
First time of the Minotaur, 2019
30 x 30 cm.
Oil on canvas.
Young minotaur, the human chest and shoulder have big purple paint patches. The animal head is predominantly white, with ochre and blue shading. The minotaur is painted against a black background.
Maurizio L'Altrella
Timeless Lilith, 2019
60 x 70 cm.
Oil on canvas.
Night creature from Jewish mythology, with pale skin and rusty, brownish ram horns growing from the back of her head. Lilith is painted against a black background.
Maurizio L'Altrella
L'Altro Schiavo, 2020
30 x 30 cm.
Oil on panel.
Reimagined iteration of a famous portrait by Rembrandt but with a different face. Colours are predominantly dark and the only light colour accents are the collar of the shirt and the right eye of the sitter.
Maurizio L'Altrella
Mantis Dance, 2019
40 x 40 cm.
Oil on paper on aluminium sheet.
Portrait of an elderly man, with long white beard and a big green mantis in front of him, left corner of the canvas. The face is painted in with heavy brushstrokes and dispersed slabs of paint.
Daniele Accossato
Angelo in Custodia, 2020
34 x 23 x 35 cm.
Sculpture out of jesmonite, wood, rope and pluriball.
Angel in the victimised position of a kidnapped figure. Ropes tied around his ankles, his wrists and wings. With duct tape on the mouth. Space around him in the crate is filled up with bubble wrap.
Fabio Giampietro
The Crane II, 2020
40 x 40 cm.
Oil on canvas.
Black and white cityscape, seen from above. Executed with a subtractive technique, layering black oil paint and using tools to remove and form the buildings.
Fabio Giampietro
The Wave II, 2020
40 x 40 cm.
Oil on canvas.
Black and white cityscape, seen from above. Executed with a subtractive technique, layering black oil paint and using tools to remove and form the buildings.
Fabio Giampietro
HPS Upwards, 2019
40 x 40 cm.
Oil on canvas.
Black and white cityscape, seen through a fish-eye effect. Framing a white sky centre in the composition with buildings around it and tight ropes running across the borders of the image at different heights. A single human silhouette is seen walking across.
Fabio Giampietro
HPS Equilibrium, 2019
40 x 40 cm.
Oil on canvas.
Black and white cityscape, seen through fish-eye effect. Framing a white sky centre in the composition with building around it and a tightrope making a half-circle.
Fabio Giampietro
HPS Wave, 2019
40 x 40 cm.
Oil on canvas.
A twisted cityscape, with bent surfaces in black and white. The buildings spiral from the lower right corner, the plane is then elevated in the left side of the composition and is following a surreal twist upside down in the top half of the canvas.
Fabio Giampietro
Upward Vertigo I, 2019
50 x 50 cm.
Oil on circular canvas.
Subtractive technique of oil on canvas. A twisted cityscape, with bent surfaces in black and white. And splattered white paint on top imitating snow fall.
Fabio Giampietro
Upward Vertigo II, 2019
50 x 50 cm.
Oil on circular canvas.
Subtractive technique of oil on canvas.A twisted cityscape, with bent surfaces in black and white. Canvas edge is painted in black.
Manuel Felisi
Vertigine I, 2019
35 x 33 cm.
Mixed media on panel: print, resin, fabric.
A depiction of a forest, with tree branches extending from the outer edges of the canvas towards the centre. There are patches of yellow and blue colours, as well as black, under the resin layer.
Manuel Felisi
Vertigine II, 2019
45 x 35 cm.
Mixed media on wooden panel: print, resin, fabric.
A depiction of a forest, with tree branches extending from the outer edges of the canvas towards the centre. There are patches of fabric with circular shapes, under the resin layer.
Manuel Felisi
Vertigine III, 2019
62 x 52 cm.
Mixed media on wooden panel: print, resin, fabric.
Depiction of a forest, with tree branches extending from the outer edges of the canvas towards the centre. There are patches of fabric with red and blue colours and flower patterns, as well as green imitating leaves, under the resin layer.
Manuel Felisi
Vertigine IV, 2020
142 x 142 cm.
Mixed media on wooden panel: print, resin, fabric.
A polyptych of 36 pieces, squares, which together compose a view of trees branching in from the outer edges of the canvas towards the centre, as if seen from under, looking at the sky.
